![]() However, Erik is hardly seen with his mask on, mostly keeping his deformed face in view of the audience. He also wears a cap with this mask, making him resemble a regular Middle Eastern man when masked. In Lon Chaney's 1925 silent classic, Erik wears a unique mask, one that resembles a normal face with a dust muffler u nder the nose. The Mask in other versions of the story 1925 Lon Chaney silent film Erik also mentions at the end of the book that he had invented a mask that made him look like he wasn't deformed. ![]() Susan Kay's Phantom has the same deformity, although has Erik wearing a white mask instead of a black one. He also wears a false nose when attending the Opera's productions, A similar black mask appears as one of many masks Erik wears in the Charles Dance version, specifically when Erik is in a malevolent mood, such as when he dumps a crate full of rats into Carlotta's dressing room. Erik wears a black mask that hides his entire face, and the original cover of the novel depicts Erik wearing a simple black domino mask that hides 3/4 of his face. ![]() In the Leroux book, Erik mentions having worn a mask even as a child, because his mother couldn't bear to look at his skull-like face.
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